The Ed Techie

Punk, Queen & New Romantics in digital scholarship

It may be tired after the whole edupunk thing (curses to you Groom!), and has more than a whiff of old men reliving their youth about it, but nevertheless I'd like to revisit punk music as an analogy for current changes in ed tech. This time it is nothing to do with the approach or the values, but rather the lesson of what a revolution actually look like.

In his book From Gutenberg to Zuckerberg, John Naughton makes the point that we are living through the midst of a revolution, and it's very difficult to see what the outcome will be. While I think that digital, networked and open approaches to scholarship do represent a revolution, I think we also tend to over simplify what this means. John makes this point also.

There is a tendency to think of revolutions as absolutes: pre and post. Everything that has gone before is swept away and everything that happens since is cast in the new light.

But for many revolutions this isn't the case. The actual picture is far more subtle, and interesting. I was reflecting on this the other day with regards to my own musical tastes and history. My musical tastes really started emerging in the immediate post-punk era, and this coloured everything for me. So my early album purchases were The Jam, Clash and later Echo and the Bunnymen, The Teardrop Explodes. I inherited a completely dismissive attitude towards anything pre-1976. I scoffed at prog rock, folk and metal.

This wasn't actually a bad attitude to have as a teenager, you're meant to have strong tastes. But it did mean it took me longer than it should have done to come round to bands like Led Zeppelin, or Nick Drake.

But the lesson is, for many people my age punk was a defining revolution in music. But it wasn't as all encompassing as history may have painted it. I had plenty of friends whose musical tastes remained largely untouched. Queen, Iron Maiden, Luther Vandross - punk had no impact here.

And I had yet other friends who didn't think they liked punk, but went on to become new romantics (it was a confused time). And while that music had different values, it was a 'scene' that was undoubtedly influenced by the possibilities that punk had awoken in people.

Now this isn't just a nostalgia trip - there is an analogy here with digital scholarship, and what revolutions feel like. There are scholars for whom the digital aspect is nearly all consuming - I'm one of them, I simply can't imagine what it's like without working in a networked manner. There are those for whom it is largely irrelevant. Think of them as the Queen fans of scholarship - they have been successful and have a preference for an established way of working. Then there is probably a middle group, whose tastes and practices are touched by the existence of digital scholarship, even if they are not particularly strong advocates. These are the new romantics.

I guess the point is, a revolution changes some things completely, alters some, and has no impact on others, but we tend to focus only on the first of these.

Levels of friction in sharing

Over the past week or so I've had a couple of twitter discussions around 'frictionless sharing'. Brian Kelly captured some of this discussion in Storify and then followed up with this post (like a dog with a bone, Brian has also created a wikipedia stub :)

The term has been somewhat corrupted by Facebook, which has inevitably led to it being rather sneered at. Particularly worrying I think is unintentional sharing, ie Facebook simply broadcasting your actions. Sharing should always be a conscious decision I feel. 

Pete Johnston made the point about context, which is another concern around frictionless sharing. Consider the following examples:

1) You 'favourite' a number of offensive tweets from people to be used in a talk about online behaviour.

2) Your daughter borrows your iPod and listens to some teeny bop music, which is displayed in your LastFM profile.

3) You collect a number of articles in Scoop.It which demonstrate fallacious arguments about the net generation.

In each case you wouldn't want the casual observer to infer any endorsement of the resources by yourself, but without any clear context, that could happen. Nonetheless, frictionless sharing represents a significant practice for academics I feel. Much of the value of a scholar is to be a knowledge filter. They are also knowledge creators, through research, of course, but a valuable role is to read around a subject in more detail than most people have time for, and to filter the key resources and messages. Thus if someone I know and respect curates a subject in Tumblr (or delicious, or Scoop.It or Mendeley) then having access to that set of resources is tremendously useful to me as a researcher. It doesn't mean I shouldn't do my own research, but knowing that this is what the world expert thinks is interesting, is a useful resource. And for anyone doing this the simplicity of the tools I mentioned (which usually equates to clicking on a bookmarklet) doesn't cost them much in time, effort or money. This can be seen as democratising this kind of knowledge. Previously I would need to know the person in order to find out what they thought was of value in their field, but now it's open to all.

This kind of trusted digital curation is increasingly valuable I feel, and one that is not easily recognised by current systems. Someone could be the key 'go-to' source because they spend a lot of time reading and filtering, but not publish anything themselves, and yet have a huge impact in their field. Stephen Downes is a good example of someone who is highly valued for this curation role, but he combines it with producing his own excellent material as well. But if he didn't and only did the filtering role, that would still be enormously valuable and yet difficult to recognise formally (imagine trying to put it through the REF in the UK).

I want to emphasise that this doesn't mean all sharing should be this way. I think we can see increasing levels of friction in sharing, and arguably, the value of the resource increases as more friction is added. In the chapter on openness in my Digital Scholar book, I suggest three degrees of sharing friction: 

1. Frictionless – sharing that occurs without much additional effort required, for example, if a scholar is gathering resources for her own research, then using a social bookmarking tool is an effective tool for her as well as making the list public.

2. Quick sharing – this requires a small level of effort, so does not occur simply as a by-product, but the effort required is minimal, such as sharing a link via Facebook or uploading a Powerpoint presentation to Slideshare.

3. Content creation – this requires some effort to produce a digital artefact, for instance, creating a blog post, a YouTube movie, or adding and synchronising audio to a presentation to create a ‘slidecast’. The effort and expertise required are still relatively low compared to many traditional forms of output.