Twitter events


Eurovision_tout

The other day I mentioned that I like to Twitter when I'm watching football on TV. My wife doesn't watch, and if I'm not in a pub, it's a way of sharing the experience. Then on Saturday it was the Eurovision Song Contest. I started to watch it, but put a DVD on, then when I looked at Twitter it was awash with Eurovision comments. It struck me that Eurovision was in many ways the perfect Twitter event. It is, in fact, quite boring (none of the songs are any good), so there is plenty of time to Twitter. At the same time, it is quite enjoyable and provokes comment, so there is a desire to share. And you know that it is a communal event, so others will be watching too.

There's not much broadcasters can do with this, except maybe set up a Twitter id (e.g. Woganesque commentator during Eurovision), but this ability to share the experience online may be the the thing that saves scheduling. Sky Plus and the iPlayer have pretty much destroyed the notion of scheduling, but for programmes and events you want to share, then it has to be done at the allotted time. This obviously applies to live events (sports mainly), but also to any programme people might congregate around. It could be The Apprentice (AJ likes to tweet about this), or Eastenders.

Gapingvoid may have been dismayed by the Brits twittering about Eurovision, but in this respect his talk of social objects is correct. The future of television is not in it being a solitary experience, but in being a social one.

Think of these as 'flash social networks' - Jyri Engestrom argues that "social networks consist of people who are connected by a shared object.” Around TV we may see these social networks form for the duration of a programme and then dissipate. The key challenge for broadcasters is to facilitate this without stamping all over it, or going creepy treehouse on it.

[Update - Darren Waters had beaten me to it on this]

FlatWorld Knowledge - the publisher I've been waiting for?

David Wiley is part of a startup called FlatWorld Knowledge. Their aim is to release digital textbooks free of charge, with students paying for the print copy if they want. What is more interesting though is the way they take the notion of the text book and make it more of a social object. So the educator can edit the book for their class, the student can interact with other students around it, and people can sell related services and content. In fact, when you view their little cartoons it makes you realise just how limited the traditional text book model is in education. Why didn't we do this years ago?

From my point of view, I have a book proposal and want a publisher. I am currently with Routledge, but they have a traditional attitude to publishing, they wouldn't even let me put a couple of chapters up on this blog. So what I want is a publisher who will allow me to give away the digital version, but still charge for the print version. So I contacted FlatEarth, but it seems that at the moment they're just focusing on Business books, as they're in startup mode. Makes sense I suppose, but it means I'll either have to find another publisher or wait for them to open up their portfolio a bit. Does anyone know a publisher who isn't living in the dark ages?

Social objects - meaningful or meaningless

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(Image 'Socializing' Noamgalai http://www.flickr.com/photos/noamg/218169158/)

This is a follow up to my earlier post on Social Objects in Education, and is an attempt to wrap up some of the discussion around it and the thoughts these have prompted.

In my Twitter stream John Connell said he wondered if there was something of a tautology around social objects. I think I know what he means, and it relates to a point I'll come to later on definitions. Put simply the argument goes something like 'what's a social object?' Answer: 'It's an object that's social.' Something is a social object if it acts as a social object - the danger with this kind of circular definition is that it doesn't really get you very far. (I have similar reservations about deep and surface learning by the way). For now, let's park this objection (hope that's okay John) and hope it will work itself out if we continue to explore the concept.

Josie Fraser commented that

"Profiles ARE social objects. They're not a real person - they're a constructed representation around which interaction takes place - a specific kind of social object. They are artifacts which connect and make visible networks."

This extends the definition of a social object beyond the 'mere' content I was considering. Your user profile in Facebook, say, is itself a social object since you choose what information to display. I think this is true, if one considers FB, by choosing what applications to install on your profile you are creating a social object. In essence, you are throwing out a number of social hooks to the community to see which ones catch. For instance, if I install the LastFM application then presumably it's because I think the information about the last music I listened to is of some social value to my FB friends, however small that value is (I know most people's waking thought isn't 'what's Martin been listening to?'),

My colleague Andy Lane  argues that  content can be seen as a mediating artefact, which  reminds me of the work of Grainne who argued that

Mediating artefacts help practitioners and students to make informed decisions and choices in order to undertake specific teaching and learning activities. By using this concept of MAs and grounding this in relevant socio-cultural literature it is possible to begin to identify which MAs are appropriate for particular users in particular circumstances.
(Conole, G. (2005), ‘Mediating artefacts to guide choice in             creating and undertaking learning activities’, presentation             at CALRG seminar, Open University, 1st November 2005)

She argues that models, narratives, learning designs can form this function. Does this mean we should bundle them in under the social object umbrella too?

Stephen Downes says he doesn't agree that the network is built around the object (Hugh MacLeod's conjecture), instead arguing that

these so-called "social objects" - images, videos, and the like - constitute a vocabulary that is used by members of a network.

Let's say the social objects in this case are some academic pieces of content for now, e.g. some AV, articles, books, etc on a particular subject. In the sense that the objects inform the dialogue between the participants, and they talk about the objects, then yes, they do constitute a form of vocabulary. For example, learner1 might say 'but we saw in the Wisdom of the Crowds that the mass can make immediate judgements that are better than any single member of the group.' Here 'the Wisdom of the Crowds' is part of a shared vocabulary, the book is the social object, and that is used by the members of the network as Stephen suggests.

However, also imagine this scenario - learners with an interest in, say Ancient Greece in a social network share content resources (through something like the visual bookshelf) and then decide to come together for a discussion on, say, the role of Themistocles in ancient Greece, around a wiki article on him. In this sense,  it is more than a shared vocabulary they are using (although they need that too), but the social object (the resources and the wiki article) are the social objects which are igniting and focusing their discussion.

Lastly, David Wiley links us back to the work on learning objects, and in particular the metaphor he proposed then of the campfire - ie the social glue that brings people out of their tents:

Without a campfire all you have is a bunch of tents setup and people wandering around disconnectedly. The campfire provides a place for people to congregate and interact. The campfire appears before the singing starts.

That last point is significant - the campfire appears before the singing starts, not the other way round. In the comments I replied to David saying that the link to learning objects occurred to me also for two reasons:

i) Are social objects just learning objects that you deliberately create with social interaction in mind (lots of work on LOs seemed to be about interaction with the LO itself, ie they were conceived as multi-media objects)

ii) like with LOs the debate around social objects quickly becomes bogged down in one of definition. Almost every discussion I had about LOs started and ended with ‘but what is a learning object?’

I'm not entirely sure where this leaves us regarding social objects. Part of these blog posts is to help me think it through in a social manner, as all the above comments demonstrate. Rather like terms that become popular in academic circles the debate is often about whether they really add anything. Affordances was another such term, which once it moved beyond the strict Gibsonian interpretation became too loose for many people to be comfortable with. I take a fairly pragmatic stance on the use of such terms - don't get bogged down in an exact definition, if you have an intuitive take on what they mean and it helps stimulate thought, debate, development or research then that's good enough. And that's where I am with social objects at the moment.